{"id":209,"date":"2009-09-25T02:33:46","date_gmt":"2009-09-25T02:33:46","guid":{"rendered":"https:\/\/markfrankelfansite.com\/content\/?page_id=209"},"modified":"2017-01-14T17:52:00","modified_gmt":"2017-01-14T17:52:00","slug":"orlando-sentinal","status":"publish","type":"page","link":"https:\/\/markfrankelfansite.com\/content\/articles-and-interviews\/orlando-sentinal\/","title":{"rendered":"ORLANDO SENTINAL"},"content":{"rendered":"<p><b>September 7, 1994<\/b><\/p>\n<p><b><i>TV CREW TURNS LAKE INTO FOREIGN PLACE<br \/>\nBy Pat Flood<\/i><\/b><\/p>\n<p>Just two days after Fortune Hunter premiered on the Fox network, cast and crews of the TV spy drama taped parts of the seventh episode Tuesday in south Lake County.<\/p>\n<p>Actors and actresses &#8211; including former Miami Vice star Philip Michael Thomas &#8211; spent time chatting with local residents as well as acting out scenes.<\/p>\n<p>Fields surrounding Gary and Dot Johnson&#8217;s house south of Groveland were transformed into the countryside of Mayaguaya, a fictional nation in South America.<\/p>\n<p>Ray and Carol Jones&#8217; barn was used to hide secret agent Carlton Dial and his comrades as they prepared to rescue kidnapped professional athletes from terrorists.<\/p>\n<p>Finding a Central Florida spot suitable for filming the scene was not easy, according to assistant location supervisor Rick Callan. In fact, he said, the site wasn&#8217;t chosen until Friday night, but Callan said he believes the same spot will be used for other episodes as well.<\/p>\n<p>&#8220;It&#8217;s the look,&#8221; Callan said. &#8220;You have the look of a different country.&#8221;<\/p>\n<p>Indeed, stands of bamboo, vine-covered trees and thick palms gave little hint of the true location. Knee-high pasture grass added to the appeal.<\/p>\n<p>Scouts happened upon the barn Thursday and left business cards in the two families&#8217; mailboxes, asking them to call.<\/p>\n<p>&#8220;Dot and Gary thought it was a joke and threw theirs in the garbage,&#8221; Carol Jones said, but she called, finally reaching a studio representative about 10 p.m. Thursday. &#8220;They said they were under the gun for the barn,&#8221; she said.<\/p>\n<p>Although the barn was large enough to hide a bus, it took some work to ready it for shooting, said Jim &#8220;Stitch&#8221; Crisp, the lead man for the art department. &#8220;When we came here, it had 20 years of accumulated junk,&#8221; Crisp said. &#8220;We had to take their junk out and put our junk in.&#8221;<\/p>\n<p>&#8220;We had to carefully place our junk&#8230; art, I mean art,&#8221; he joked. &#8220;That&#8217;s a lot of our job &#8211; making art out of junk.&#8221; All day Friday, a work crew cleared the barn of Ray Jones&#8217; construction equipment and household furniture.<\/p>\n<p>The Johnsons&#8217; house, which was not to appear in the footage shot Tuesday, was camouflaged by a leaf-covered net and several newly planted palms.<\/p>\n<p>The first scene shot Tuesday was of a parachute drop into an open field by Dial, played by British actor Mark Frankel, and four fellow agents.<\/p>\n<p>Like the site selection, cast selection also was a last-minute affair &#8211; guest female lead Elizabeth Gracen was cast as Kat Burrell on Saturday.<\/p>\n<p>In the parachuting scene, one of Kat&#8217;s lines snaps and she rides to earth in Dial&#8217;s arms. Actually, the scene began with the actors pretending to land &#8211; Kat and Dial jumped up and tumbled to the ground.<\/p>\n<p>They gathered their chutes and ran into a stand of trees. To add underbrush to the scene, a production assistant stuck some branches into a striped wooden box and steadied them with duct tape.<\/p>\n<p>During a second scene &#8211; shot from atop a crane &#8211; some of the bamboo canes were bent over to give the illusion that the group was running through a thick jungle.<\/p>\n<p>Between the scene&#8217;s rehearsal and final take, director Lee Katzin noticed a foreign object on the ground.<\/p>\n<p>&#8220;Whose Lipton iced tea is that?&#8221; he shouted. &#8220;That makes the perfect sabotage.&#8221;<\/p>\n<p>The rest of the action took place at the barn. Crews draped part of the inside with black fabric and added smoke for effect.<\/p>\n<p>Despite the heat, cast members said they were enjoying the work. Thomas said he didn&#8217;t notice the heat while working, even though he was wearing a black turtleneck and full camouflage outfit with combat boots.<\/p>\n<p>His guest spot on Fortune Hunter is the first television work he has done since appearing on Superboy and Swamp Thing several years ago. He just finished River of Stone, a feature film, with George Kennedy and G. Gordon Liddy.<\/p>\n<p>Working on television &#8220;feels like home,&#8221; he said, adding he recognized many of his fellow workers from his Miami Vice days.<\/p>\n<p>&#8220;That&#8217;s the beauty of the business. No matter where you go in the world it&#8217;s like it&#8217;s family,&#8221; Thomas said.<\/p>\n<p>Gracen agreed.<\/p>\n<p>&#8220;We&#8217;ve only been filming for a couple of hours, and it feels good,&#8221; she said. &#8220;The cameraderie is like magic.&#8221;<\/p>\n<p>Frankel, who stars in the series along with John Robert Hoffman as Harry, is coming off a stint as Simon Bolt in Sisters.<\/p>\n<p>Although only 12 episodes have been ordered so far, he hopes the show lasts far longer, &#8220;as long as it&#8217;s a hit.&#8221;<\/p>\n<p>Regardless of the response to the show, Frankel has a five-year contract with Fox network and Columbia pictures.<\/p>\n<p>The Johnsons and Joneses hope that Fortune Hunter will spend a lot of time on their property.<\/p>\n<p>&#8220;It was a blast,&#8221; Dot Johnson said. &#8220;I got my pictures taken with them and their autographs.&#8221;<\/p>\n<p>The Joneses agreed. &#8220;We&#8217;ve got to see something we&#8217;d never seen before,&#8221; Carol Jones said.<\/p>\n","protected":false},"excerpt":{"rendered":"<p> [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":38,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-209","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/markfrankelfansite.com\/content\/wp-json\/wp\/v2\/pages\/209","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markfrankelfansite.com\/content\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/markfrankelfansite.com\/content\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/markfrankelfansite.com\/content\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/markfrankelfansite.com\/content\/wp-json\/wp\/v2\/comments?post=209"}],"version-history":[{"count":2,"href":"https:\/\/markfrankelfansite.com\/content\/wp-json\/wp\/v2\/pages\/209\/revisions"}],"predecessor-version":[{"id":1876,"href":"https:\/\/markfrankelfansite.com\/content\/wp-json\/wp\/v2\/pages\/209\/revisions\/1876"}],"up":[{"embeddable":true,"href":"https:\/\/markfrankelfansite.com\/content\/wp-json\/wp\/v2\/pages\/38"}],"wp:attachment":[{"href":"https:\/\/markfrankelfansite.com\/content\/wp-json\/wp\/v2\/media?parent=209"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}